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The Tale of Sudan and Zimbabwe
Fifth Lesson:
Theatrical

 XIII. 

The students are now ready to start writing their own rhythms according to guidelines that you set up for them. This can be done through a differentiation method called “tiering.” The objective is to have the students know and understand what a measure is and what notes add up to the assigned time signature. Therefore, you can assign one measure of music and have options for students to include more measures of music and music terminology. This will give you an assessment of what students know at this point and this also allows you to challenge the gifted students. The students will take ownership and be proud to show you their rhythms and will want to play them for you. Another option to carry forward is to have the students play their rhythms as solos and then ensembles with various percussion instruments.

XIV.

Have the students act out the story, using instruments of their choice for the environmental sounds. Differentiate parts at this point. Have some of the students become the characters in the story. Some students are more creative and some want to act things out, while others want to be behind the scenes. The giant
can have the garbage can covers strapped to his/her feet and walk in when the giant appears. Rhythm patterns can be used at this point to perform rhythms of the rain or rhythms of the people getting scared or rhythms of happiness, etc. 

 XV. 

Older students can perform this story for younger students. I have done this with middle school students performing for grades 1 through 4.  The students can start out the performance with echo drumming. The echo drumming can start with the performers and lead into involving the audience by the performers playing a rhythm and the audience echoing. These rhythms can be done through improvisation, with the students identifying the rhythms. Another option is for the students to read your created rhythms or their created rhythms from cue cards.

Steps:

 1. First Lesson (Scenery)
 2. Second Lesson (Circle Drumming)
 3. Third Lesson (Rhythm)
 4. Fourth Lesson (Follow Up/Assessment)
 5. Fifth Lesson (Theatrical)
 Publisher:  authorHOUSE

If you have access to a Snare Drum
and/or Cymbals, you can incorporate
these different sounds for the various
environmental sounds in the story.

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